There should be something to talk about in the song, right?” My point is that I want people to dance to my tracks, but I also want to make something good. So I create a sound that will match their vision. “Also, they give me an idea of how they will shoot the song. It has to have a chill, mysterious sound,” he explained. “ Raat Baaki cannot have a hard dance-y sound. The remixed song also needs to reflect the film’s atmosphere, Bagchi said, citing the example of his recreation of Raat Baaki from Abhay Chopra’s whodunit Ittefaq. “Only when he approved of it, did we go ahead with releasing the song.”Ī good remix does not mean unthinkingly throwing in beats: “Then you get something terrible like Rafta Rafta or Mungda.” The first is composer Vishal Mishra’s take on Are Rafta Rafta Dekho ( Kahani Kismat Ki, 1973) for Yamla Pagla Deewana: Phir Se (2018), and the other is the Usha Mangeshkar hit from Inkaar (1978), recreated by Gourov-Roshin for Total Dhamaal. “The first thing we did on making the track was send it to Rahman sir,” Bagchi said. So, I decided to not remix it but pay a tribute.”īagchi’s version of Humma has a spaced-out lounge sound, with rap verses by Badshah. It was never played alongside Despacito or, say, something by The Chainsmokers.
They would remix the song and add some random beats. “But the problem was that deejays were only playing it in Bollywood clubs or ’80s-’90s-themed Bollywood Nights. “When I re-listened to Humma, I realised it’s a complete song and you can’t do anything to it,” Bagchi recalled. After testing several versions, the one made by Bagchi, who had previously worked with Dharma Productions on Kapoor & Sons, was chosen. “I would reprogramme the beats of songs by artists like Enigma, Deep Forest, Michael Cretu without the vocals using Acid ”.īagchi’s first remix was The Humma Song from OK Jaanu, and came about because producer Dharma Productions was looking for a re-imagination of AR Rahman’s iconic hit from Bombay (1995). “Western songs, not Bollywood,” Bagchi said.
In between taking lessons in guitar, piano and singing, the young Bagchi would replicate entire rhythm sections of songs on his computer. He is the son of jazz musician Nanda Kumar and Hawaiian guitarist Sharmistha Bagchi, and his music training began early. The 39-year-old composer’s appetite for re-interpreting existing music goes back to his childhood in Kolkata. Play Sweety Tera Drama, Bareilly Ki Barfi ( 2017). Does every recreation become a superhit?” They know what to filter and what not to. “If you tell me that the new generation has no understanding of melody and cannot appreciate good music, that’s rubbish. “I am making music for millennials,” Bagchi told Scroll.in. The composer ignores detractors and doesn’t care for the debate over the merits of recreating classics.
The March 1 release, Luka Chuppi, has three of Bagchi’s recreations, and more are in the pipeline. Each time, he has left fans of the originals fuming but also gained many new listeners.īagchi shows no signs of slowing down. Since then, Bagchi has remixed more than 25 older hits, including Tamma Tamma Again ( Badrinath Ki Dulhania, 2017), Cheez Badi ( Machine, 2017), Mere Rashke Qamar ( Baadshaho, 2017), Dilbar ( Satyameva Jayate, 2018), and Aankh Marey ( Simmba, 2018). In 2017, Bagchi had retooled another classic, AR Rahman’s 1995 hit Humma Humma, for OK Jaanu(2017). She questioned the point of “shuffling notes around” and “changing lyrics” after “lifting acknowledged, beloved classics”.
#What does mungda mean movie#
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